![]() Carrington committed suicide by shooting herself in 1932, 2 months after Strachey’s death from cancer.Ĭarrington was a skilled landscape and portrait painter who also worked in the decorative arts, painting pottery and murals, including the design for the library at Ham Spray House. She reputedly did this not because she loved Partridge but because Strachey did. Carrington married their mutual companion Ralph Partridge in 1921. Strachey and Carrington set up house together, first at Tidmarsh Mill House in 1917 and then at Ham Spray House in 1924. Her longest relationship was her platonic partnership with the writer Lytton Strachey. Nevinson and Mark Gertler – were all said to have been in love with her. Several of her Slade contemporaries – including Paul Nash, R.W. While not a member of the Bloomsbury Group, Carrington was associated with them from her time at the Slade and put her own unique twist on Bohemianism and sexual freedom. ut she is such a bustling eager creature, so red & solid, & at the same time inquisitive, that one can’t help liking her." I wonder sometimes what she’s at: so eager to please, conciliatory, restless, & active. odd from her mixture of impulse & self consciousness. In June 1918 Virginia Woolf described Carrington as: ". ![]() ![]() She went on to win first prizes for figure painting in 1913. In 1912 Carrington not only won 2nd prize for figure painting with this work, but was also awarded a 2-year Slade Scholarship. Despite the painting’s careful finish, the right foot of the model is only lightly sketched, adding a pleasing spontaneity to this academic nude which draws its inspiration from the old masters. This is rendered in subtle tones, with highlights of the pink cheeks and the skilfully foreshortened elbow. Works like this prize-winner by Carrington resulted from the Slade's pioneering policy allowing women to draw from life.Ĭarrington’s reclining nude is silhouetted against a dark background, focusing the viewer’s attention on the figure. Location: Framed on the east wall of the Housman Room in the North Cloisters of the Wilkins Building.įemale Figure Lying on her Back (detail), 1912, Dora Carrington (1893-1932), Oil on canvas
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |